Apartemento
A Thing on a table in a House
Size Chart
| AU/UK * | 6 | 8 | 10 | 12 | 14 |
| US | 2 | 4 | 6 | 8 | 10 |
| Bust (cm) | 80 | 84 | 88 | 93 | 98 |
| Waist (cm) | 63 | 67 | 71 | 76 | 81 |
| Hips (cm) | 88 | 92 | 96 | 101 | 106 |
* Please note this is a standard size chart, for product-specific sizing please see fitting notes in product description.
Shipping
We are currently shipping all domestic orders with MailPlus, a courier service carried by Toll. This is an express service with 96% of orders being delivered in 1-2 business days. A signature on delivery is required. We charge a flat rate of $9 for this service.
All domestic orders above $200 have free shipping (automatically applied at checkout)
International orders are currently carried by Australia Post. Please note that due to the current world climate, there can be lengthy delays in receiving international orders. We charge a flat rate of $20 for all international postage.
Returns
If for some reason the item you purchased is not working for you, you can return the item for a full refund, exchange, or credit note, minus the cost of shipping. Requests for returns must be made within 14 days of receiving your item and all items must be in unworn, original condition, with all swing tags attached.
Items not eligible for return include sale items, underwear, oils, sprays, swimwear, jewellery, magazines and books.
To request a return please email shop@jude.store before posting back
All return shipping costs are at customers expense
This book is in itself a Serban Ionescu sculpture, its 68-page oversized board book format having been printed and precisely die-cut to mimic the rambling contours and dazzling colours found on the steel sculptures of this prolific New York-based, Romanian-born artist. It also doubles as a play, penned in three acts by Serban’s fellow artist and close friend James English Leary, who fully embraces Serban’s artistic approach and explores his ideas in a highly absurd series of events that feature an all-star cast of bizarre characters: Happy Lattice, Dog Bench Loaf, and Assembled Chair, to name a few.
Gathering together pieces from between 2017 and 2021, a flick through A Thing on a Table in a House transports you directly into Serban’s anthropomorphic world, one that straddles the ever-fine line separating furniture and sculpture. If one were to classify these pieces as furniture, then you’d be looking at pieces that’ve been overrun by some sort of menacing, playful poltergeist. Possessed, they are halfway gone on their transformation into something entirely unclassifiable.